Thanks to the courtesy of Mr Stack we all know whether or not we made it through to round two of the Red Planet Productions competition now. I didn't. If you did then bloody well done to you. If you didn't there are some tips for dealing with the rejection here and here - but basically get on with it!
For my part I'm going to take a break from competitions until Red Planet 2008. I think they've distracted me from building up a portfolio rather than helped. In fact 2007 has been a mixed bag for me as far as writing goes. I've undoubtedly worked harder on it but seem to have little to show for my efforts - hence the decision to concentrate on those projects that have been 'pending' for way too long now.
The last twelve months have seen Emma and I take actions that are all designed to improve our situation. Some have worked, some haven't and some we won't see the benefit of for another year at least. My change in career has brought unexpected complications but has certainly given me more opportunity to concentrate on writing. It's essential now that I devise and adhere to a routine that sees me write daily and follow projects through to completion.
Chief among these is the script I'm preparing for Writers Room(you may remember they invited me to send my next script when they returned Riks Records). I completed the draft some months ago but finally read it through again last night. In my mind I'd convinced myself it was rubbish (as we tend to) but found I still like it very much. It needs a lot of work but I'm confident I have a good script in the making. I think, after a few drafts, I'll offer it up for some 'Power of Three' action as I've never tried that and it seems to work for other Scribobloggers.
Most British writers must have been following developments concerning the WGA strike and it's effects. Most but not all. Notably not Emily Bell, the director of digital content for Guardian News and Media, who saw fit to author an article for Broadcast magazine called Striking writers are wrong to think they should be paid more.
For a breakdown of exactly what is wrong with Bell's piece take a look at
James Moran's letter to her. I've followed his example and sent a brief note to the editor expressing my feeling of disappointment that Broadcast Magazine has not only felt justified in printing an article so poorly researched but one that seems to spit in the eye of our American peers.
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I'm currently enjoying the Doctor Who Series Three Box Set and have just watched Evolution of the Daleksfor only the second time. I watched both episodes together which I think improved the experience markedly. I was quite forthright in my dissatisfaction with this story when it was broadcast (see here) and while I'm not about to recant I do think I took it a little personally.
Looking back on what is, to my mind, the best series of Doctor Who ever I feel the Dalek story to be a minor blip. It's greatest fault is perhaps that it is too imaginative - who could complain about that?
Visited the local Odeon last night (see right). Long term readers (if they existed) might remember my hateful experiences at Cardiff multiplexes.
How refreshing then to visit a cinema that seemed to still be located in the 1984 of my youth. Tiny little foyer, friendly staff, Alvin and the Chipmunks and a good time had by all.
I may visit the cinema more than once in the next calendar year.
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You might ask what had managed to coax me out of my lair to visit the kinema. Elizabeth: The Golden Age is the film that succeeded where so many summer attractions had failed. In 1998 Elizabeth blew off a lot of socks with it's well crafted tale of courtly intrigues, spymasters, love affairs and religious fanatics. Not to mention its opulent costumes and design.
Elizabeth: The Golden Age is strong on opulent costumes and courtly intrigue but falls far short of the success of the first volume of Elizabeth I's adventures. It would be unfair to say I didn't enjoy it but I did find myself disappointed.
The performances are splendid. Cate Blanchett is, once again, incredible as the Virgin Queen and is supported well by Geoffrey Rush, Clive Owen, Rhys Ifans and a host of reliable character actors. Special mention should be saved for JordiMollĂ 's utterly barking, birdlike Phillip of Spain.
Towards the climactic battle with the Spanish armada the film begins to over embellish it's set pieces and seems to flirt with the notion of becoming Elizabeth 2: This Time it's Personal. Whilst I enjoyed Blanchett's rousing speech to the troops (and her snazzy armour) it all seemed more Middle-Earth than Tudor England, and as for Walter 'John McClane' Raleigh riding his flaming galleon into the Spanish ships before diving into an unnecessary underwater sequence? This so distracted me that I found myself lost in reverie wondering if Clive Owen will ever escape the shadow of James Bond (he would have been great though - wouldn't he).
It felt a little like an entirely different film had stormed in when no one was looking and taken over the screen. Worse still, despite thousands of pounds and months of post production there are two corking boom shots in the finished film. That's quite shoddy if you ask me.
Definitely worth seeing then, but don't expect The Golden Age to match up to it's predecessor.
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I felt series six of 24 was pretty patchy (and I'm probably being kinder than most) but I still find myself extremely excited by the series seven trailer...
What..? How..?
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It's pretty much the duty of any writer, and any right-minded television watcher, to understand exactly why the Writers Guild of America have decided to strike and just how it will effect American (and thusly the World's) television.
I recommend then that you take yourself hence and read Piers Beckley's summation of the whole affair here.
If you are a British writer I'd also recommend reading Robin Kelly's post here.
Off to Himley Hall in Dudley this evening for the 'Fireworks and Music Spectacular'. I'm assured it's the bees knees and it's a first for Emma and I as we've never been to a fireworks display together before - despite some of the best laid plans.
It's hats-and-scarves weather and what better than the smell of gunpowder, candyfloss and 'ooh-ing' children to enjoy a chilly November evening?
Spare a thought for Guy Fawkes if you're attending a display this weekend, all he wanted was to blow up parliament you know.